Real faith in a sci-fi world

Earlier this week, I had the chance to go hear George Murphy speak at Calvin College about a topic I can never resist: science fiction. His lecture was titled "Real Faith and Fictional Worlds," and in it, Murphy talked about the increasing respectability of science fiction, the way that religion is (and often isn't) portrayed in it, and the sorts of theological questions that science fiction can address better than other genres. Murphy is both a pastor and a physics geek, so he's about as qualified as they come to talk about a topic like this.

You can listen to the audio of his lecture here (WMA format).

I won't repeat everything Murphy had to say, since you can (and really, you should) listen to it for yourself. But one of his main points really caught my interest--his analysis of the two different "risks" that come with trying to portray religion realistically in science fiction. There are basically two extremes that sci-fi writers can drift into:

  • By far the most common way to deal with religion and Christianity in science fiction is... to not deal with it at all, by having it be conspicuously absent from the sci-fi world you've created. (Think Star Trek, where the human Federation heroes are invariably a-religious, supremely rational, eminently reasonable people, and religion is reserved for crazy alien races like the Klingons.) The problem with this is that whatever you, the sci-fi author, think of Christianity and religion in general, it's utterly unrealistic to imagine a future human society in which religion does not play a role.

    Murphy observed, and I definitely agree, that this tendency to imagine religious-less science fiction universes is on the decline these days, with shows like Battlestar Galactica (and before that, Babylon 5) putting it front and center in the plot. (And speaking of religion and science fiction, as a Frank Herbert fan I feel duty-bound to point you to reports of an upcoming Dune movie—it doesn't get more religious than that, although it probably could get quite a bit more Christian than that.)

  • The second extreme is a trap that would-be Christian sci-fi writers most often fall into. Attempting to correct the absence of religion in most sci-fi, they go to great effort to portray Christianity—but they often try to vindicate Christianity through their fiction with overly didactic or triumphalist plotlines. (Think Left Behind, which has many sci-fi elements in it—although its plotline aims to show that Christianity is correct, it isn't very convincing because it's trying to preach a message rather than portray religion as it realistically works in people's lives.) In this case, you've portrayed religion all right—but you haven't portrayed it in a way that readers can relate to.

There was much more to Murphy's talk, but those are the points that got me thinking the most. If you're a sci-fi geek, it's definitely worth listening to his lecture. And now, by Kahless, go forth and enjoy your weekend!

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Comments (5)

Thanks for pointing out some great thoughts from Murphy's talk, Andy. It brings to mind Orson Scott Card's pseudo-religion in the Speaker for the Dead, and what a powerful description of basic creature-ness that is.
I recently read a Sci Fi Thriller that I think is going to be big.
It's called Unholy Domain. I think it's the best futuristic thriller since Blade Runner.
Apart from my delight about a new Dune film (I wonder if they can get Patrick Stewart a part again), one thing took from the book was that humanity had solved its religious problems by creating the Orange Catholic Faith (wonderful image for anyone from Northern Ireland) yet humanity still had a dark and evil side and still warred. In fact, it is almost glossed over in the second book that Paul Atreides wages a jihad to bring the empire into his order and billions die, and he's the good guy!

I was quite young when Red Dwarf started and hadn't actually seen most of the first season, so I was surprised when I got it on DVD and there was a cat religion that was scarily close to the real world.

However, I don't think films have to portray any sort of theology or religious practice. I, Robot, The Matrix and countless others aren't religious, but have a messianic theme and along with Minority Report are a great way to wrestle with predestination (and don't forget Deep Space Nine).
Thanks for mentioning DS9 - still a high water mark for sci-fi. Great topic; it's one reason I love sci-fi.
I'm a sci-fi geek so eventually at some point I'm going to listen to his speech. I have a blog dedicated to all things faith and sci-fi at http://scifijournalist.blogspo...

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