Articles filed under
Music

Adele and Advent: Worth the Wait

Jes Kast

Chris Stapleton and the triumph of twang

John J. Thompson

Mining meaning from Blitzen Trapper’s All Across This Land

John J. Thompson

A toast, and a warning, from Alice Cooper’s Hollywood Vampires

John J. Thompson

Community vs. Cult of Personality (or 3 days at TIFF)

Josh Larsen

Lamenting along with Iron Maiden

Alex Bersin

The perilous pleasure of Carly Rae Jepsen’s Emotion

John J. Thompson

Joy Williams and the redemption of Venus

John J. Thompson

The faithful eclecticism of Twenty One Pilots’ Blurryface

John J. Thompson

Mumford & Sons’ milder Wilder Mind

John J. Thompson

Audiophiles and spiritual fidelity

John J. Thompson

Sufjan Stevens’ Carrie & Lowell: Sorrow in the Shadow of the Cross

John J. Thompson

The spiritual disconnect in Imagine Dragons’ Smoke + Mirrors

John J. Thompson

Bjork’s Vulnicura and the rending of “one flesh”

John J. Thompson

Finding communal comfort in David Zahl's Mess of Help

John J. Thompson

Andraé Crouch and making every minute count

John J. Thompson

Guess who’s still haunting David Bazan?

John J. Thompson

Songs of Innocence and Metamodern Sounds: the top ten albums of 2014

John J. Thompson

Why I’m OK with the boy Yahweh in Exodus: Gods and Kings

Josh Larsen

Foo Fighters, Nashville and the communal power of music

John J. Thompson

They still don’t know it’s Christmas? Band Aid then and now

Josh Larsen

Interstellar and a theology of Imax

Josh Larsen

We don’t all need to know Mary Lambert’s Secrets

Jason E. Summers

Steve Taylor’s new Goliath

John J. Thompson

Fleetwood Mac and landslides that lead to blessing

Amanda Cleary Eastep

Smile for the camera! Gone Girl and the idolizing of public image

Josh Larsen

Lecrae’s triumphant Anomaly

John J. Thompson

Salvaging sacred music in Syria

John J. Thompson

U2’s Songs of Innocence: more than corporate noise?

John J. Thompson

Holy Ghost and the latest step in Korn’s spiritual journey

Christopher Hunt

“I love you all” – Michael Fassbender sings the Gospel wearing a papier-mâché head

Josh Larsen

Singer, priest, boss: the latest from Sinead O’Connor

John J. Thompson

Understanding story through Richard Linklater’s Boyhood

Josh Pease

The sweet subversion of ‘Weird Al’ Yankovic’s Mandatory Fun

John J. Thompson

Jack White’s Lazaretto: good album, bad theology

Robert Keeley

Hearing the music of redemption in Begin Again

John J. Thompson

Ida and Galatians 3:28

Josh Larsen

Miranda Lambert’s Platinum and Country Music Laments

Robert Keeley

The Devotional Intimacy of Coldplay's Ghost Stories

John J. Thompson

Bonhoeffer, Blue Ruin and relinquishing revenge

Josh Larsen

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